"The Hobbit" keeps box office crown for third week

By Ronald Grover and Chris Michaud

Sun Dec 30, 2012 2:18pm EST

n">(Reuters) - The dwarfs and elves of "The Hobbit: An Unexpected Journey" prevailed at the North American box office again over the weekend, as its $32.9 million in ticket sales topped both the star-packed musical "Les Miserables" and the western "Django Unchained."

Despite surging past "The Hobbit" on Christmas day with an $18.1 million opening, "Les Miz" managed only third place in U.S. and Canadian sales with $28 million as Christmas shoppers returned from the malls to boost Hollywood's box office, according to studio estimates.

"The Hobbit," in its third week of release, has now grossed $222.7 million domestically, Warner Bros said.

Quentin Tarantino's "Django Unchained," a western starring Jamie Fox as a slave turned bounty hunter, took second with an impressive $30.7 million.

Tom Cruise's crime drama "Jack Reacher," which features author Lee Child's former military investigator solving a fatal sniper attack, landed in fifth with $14 million, outpaced by "Parental Guidance," the Billy Crystal-Bette Midler as grandparents comedy which took in $14.8 million to nab fourth.

Chris Aronson, president of domestic distribution for Fox, said the "Parental Guidance" performance was "just a tremendous result for our little engine that could."

Backed by a musical score that made it a Broadway icon, "Les Miz" surged past "The Hobbit" on Christmas day, collecting $18.1 million to pass "High School Musical 3: Senior Year" with the biggest midweek opening day by a musical.

But it was not enough to conquer the "Hobbit" juggernaut, which scored its third straight box office weekend win.

Universal's president for domestic distribution Nikki Rocco called the "Les Miz" $28 million take "phenomenal, especially considering we went into the weekend with $40 million," an unexpectedly strong figure for its first few days in release.

"People really love this movie, which is even more rewarding and gratifying," Rocco said.

"Les Miserables," which stars Hugh Jackman, Russell Crowe and Anne Hathaway, benefited from Oscar buzz and its star power, said Paul Dergarabedian, president of Hollywood.com's box office division, who said he wouldn't be surprised to see the musical pass $200 million before it's done.

That would put it among the Hollywood's Top 20 best-selling musicals. It would pass the 1972 film "Cabaret," which grossed $191 million in box office sales adjusted for higher ticket prices, and put it close to "Camelot," which sold $204.5 million in 1967, according to the web site the-numbers.com.

The most successful musical is "Snow White and the Seven Dwarfs," which grossed more than $6.3 billion but has been re-released by Walt Disney nine times since its 1937 premiere, according to the site.

A rush of high-profile films in December is expected to push 2012 to a domestic box office record. The current record is $10.6 billion, set in 2009.

"Jack Reacher" debuted just days after the Newtown, Connecticut, school shooting sparked new debate about the impact of movie violence. "Reacher" begins with a sniper killing a handful of seemingly random victims. A red-carpet premiere and a screening to promote the $60-million production were postponed after the December 14 Newtown tragedy.

Adult comedy "This is 40" starring Paul Rudd and Leslie Mann as a middle-aged couple was sixth with $13.2 million. The Judd Apatow $35 million film totaled $37 million after two weeks. The seventh spot went to Steven Spielberg's historical film "Lincoln," with $7.5 million for a $132 million domestic total.

Comedy "The Guilt Trip," starring Barbra Streisand and Seth Rogen as a mother and son on a cross-country drive, pulled in $6.7 million for eighth.

Also this week the latest James Bond hit "Skyfall" topped $1 billion in worldwide sales, despite falling out of the week's top 10 films at the box office.

"The Hobbit" was distributed by Time Warner Inc's Warner Bros studio. Paramount Pictures, a unit of Viacom Inc released, "Jack Reacher" and "The Guilt Trip." Comcast Corp's Universal Studios released "Les Miserables" and "This is 40." "Django Unchained" was released in the United States by the Weinstein Company.

(Reporting By Ronald Grover; Editing by Cynthia Osterman)

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Western movie character actor Harry Carey Jr. dies at 91

By Alex Dobuzinskis

LOS ANGELES | Fri Dec 28, 2012 10:56pm EST

LOS ANGELES (Reuters) - Veteran character actor Harry Carey Jr., who appeared in scores of television shows and films including nine of famed movie director John Ford's classic Hollywood Westerns, has died at age 91, his family said on Friday.

Carey, a frequent supporting player in films starring John Wayne, died peacefully of natural causes on Thursday morning in the seaside town of Santa Barbara, California, surrounded by family members, said his daughter, Melinda Carey.

"No cancer or nothing, he just got old," she said of her father, who is survived by his wife of 68 years, Marilyn, and three adult children.

Carey's more notable big-screen credits included a co-starring role with John Wayne in Ford's 1948 outlaw film "3 Godfathers," the role of a young cavalry officer in Ford's 1949 western "She Wore a Yellow Ribbon," also with Wayne, and a turn decades later in a saloon scene in the 1990 sci-fi comedy "Back to the Future Part III."

In all, he made 11 movie appearances with Wayne.

Among other Ford-directed films in which Carey appeared were "The Searchers" (1956), "Wagon Master" (1950) and "Rio Grande" (1950).

In addition to a prodigious movie career that encompassed more than 90 films, Carey was a fixture on television during an era when westerns proliferated on the small screen, popping up in various character roles on such prime-time hits as "Bonanza," "Gunsmoke" and "Wagon Train" in the 1960s and 1970s.

In the 1950s, he had a recurring role in "The Adventures of Spin and Marty," a series of TV shorts that aired as part of "The Mickey Mouse Club."

Carey was born in 1921, the son of silent film star Harry Carey and his wife, Olive, who also was an actress.

The young Carey was raised among cattle and horses on his parents' 1,000-acre ranch in California's Santa Clarita Valley, north of Los Angeles, and he earned the nickname "Dobe" because his hair color was the hue of the ranch's reddish adobe clay. Even late in life, he went by that nickname.

THE JOHN FORD STOCK COMPANY

The family's affiliation with Ford dated back to the director's earliest westerns, with Carey's father appearing in some of Ford's silent films in 1917.

During World War Two, the younger Carey worked with Ford on training and propaganda films for the U.S. military. He went on to become a regular performer, along with his father, in the John Ford Stock Company - actors and crew members who Ford used repeatedly in his films. Carey Jr. was reported to be the last surviving member of Ford's stock company.

Carey's first feature collaboration with Ford in "3 Godfathers," playing the Abilene Kid, saw Carey, Wayne and Mexican-born actor Pedro Armendariz co-star as cattle rustlers and bank robbers who care for an orphaned baby boy while dodging the law. Carey's father starred in the original 1919 version, also directed by Ford.

Carey began his association with Wayne in another 1948 release, the classic Howard Hawks Western movie "Red River," which also starred the elder Carey, though father and son had no scenes together.

Among Carey's last screen appearances were his turn as a U.S. marshal in the 1993 film "Tombstone," which starred Val Kilmer and Kurt Russell, and a supporting role in the 1997 TV movie "Last Stand at Saber River," which starred Tom Selleck.

The Carey family ranch, which was visited over the years by Wayne and fellow actors William S. Hart and Gary Cooper, has been turned into a Los Angeles County historic park called Tesoro Adobe.

Laurene Weste, city councilwoman in Santa Clarita, said Carey Jr. remains a beloved figure in the area where the family ranch was once so prominent. "He was just a wonderful, loving, kind, down-to-Earth man," she said.

(Additional reporting by Steve Gorman; Editing by Will Dunham)

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Actress Katie Holmes' Broadway show to close

Actress Katie Holmes poses during the ''12-12-12'' benefit concert for victims of Superstorm Sandy at Madison Square Garden in New York, December 12, 2012.

Credit: Reuters/Carlo Allegri

NEW YORK | Fri Dec 28, 2012 11:47am EST

NEW YORK (Reuters) - Actress Katie Holmes' return to Broadway has been cut short, with producers announcing that the play "Dead Accounts" in which she co-stars will close on January 6, nearly two months early.

Holmes, the ex-wife of actor Tom Cruise, played Lorna, a wan, beaten-down woman living with her parents in the five-character play by Theresa Rebeck which opened on November 29 to mostly negative reviews.

No reason was given for the play's early closing, but media reports said it was earning only a fraction of its box office potential.

Many reviewers said Holmes acquitted herself alongside a roster of Broadway veterans, who included Tony-winning actor Norbert Leo Butz as the brother who returns to his Midwestern family and unleashes havoc in the comedy.

The New York Daily News said "she throws herself gamely into her second Broadway show ... (but) Holmes' efforts add up to zilch."

Most critics laid blame on an undeveloped, sketchy play by the author of last season's better-received "Seminar."

Holmes, 34, reached a high-profile divorce settlement with Cruise last summer. She lives in New York with her young daughter, Suri. Holmes will co-star in an upcoming film which will be a modernization of Chekhov's "The Seagull" along with Allison Janney and William Hurt.

(Reporting by Chris Michaud; Editing by Patricia Reaney and Vicki Allen)

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Film explores African-Americans' unhealthy "soul food" habit

By Harriet McLeod

Thu Dec 27, 2012 8:29pm EST

n">(Reuters) - After interviewing food historians, scholars, cooks, doctors, activists and consumers for his new film "Soul Food Junkies," filmmaker Byron Hurt concluded that an addiction to soul food is killing African-Americans at an alarming rate.

The movie, which will premiere on January 14 on U.S. public broadcasting television, examines how black cultural identity is linked to high-calorie, high-fat food such as fried chicken and barbecued ribs and how eating habits may be changing.

In the deeply personal film, Hurt details his father's fight and eventual death from pancreatic cancer. A high-fat diet is a risk factor for the illness, according to researchers at Duke University in North Carolina.

"I never questioned what we ate or how much," 42-year-old New Jersey-based Hurt says in the film that travels from New Jersey and New York to Virginia, Georgia, Mississippi, Louisiana and Chicago.

"My father went from being young and fit to twice his size."

Hurt, who also made "Hip-Hop: Beyond Beats and Rhymes," decided to examine the link between calorie-loaded soul food and illnesses among blacks after his father was diagnosed in 2006.

He delves into his family history, as well as slavery, the African diaspora and the black power movement in the film and provides photographs, drawings, historic film footage and maps.

In Jackson, Mississippi, Hurt joined football fans for ribs and corn cooked with pigs' feet and turkey necks. He also visited Peaches Restaurant, founded in 1961, where freedom riders and civil rights activists including Martin Luther King Jr. ate.

Hurt, whose family came from Milledgeville, Georgia, grew up on a diet of fried chicken, pork chops, macaroni and cheese, potatoes and gravy, barbecued ribs, sweet potato pie, collard greens, ham hocks and black-eyed peas.

"The history of Southern food is complex," he said. "In many ways, the term soul food is a reduction of our culinary foodways."

The origins of the diet lie in the history of American slavery, according to food historian Jessica B. Harris, who appears in the film. Slaves ate a high-fat, high-calorie diet that would allow them to burn 3,000 calories a day working, she explained.

Southern food began to be called soul food during the civil rights and black power movements of the 1960s, according to Hurt.

"There's an emotional connection and cultural pride in what they see as the food their population survived on in difficult times," he said.

But Hurt said African-Americans are being devastated by nutrition-related diseases.

Black adults have the highest rates of obesity and a higher prevalence of diabetes than whites, and are twice as likely to die of stroke before age 75 than other population groups, according to the U.S. Centers for Disease Control and Prevention.

Besides tradition and habit, poverty and neighborhoods without good supermarkets also contribute to an unhealthy diet, Hurt said.

"Low-income communities of color lack access to vegetables and have an overabundance of fast food and highly processed foods that are high in calories and fats. I always know when I'm in a community of color because I see ... very, very few supermarkets and health food stores," he added.

In her book, "High on the Hog: A Culinary Journey from Africa to America," Harris said the prevalence of over processed foods, low-quality meats, and second- or third-rate produce in minority neighborhoods amounts to "culinary apartheid."

In the film, Marc Lamont Hill, an associate professor of English education at Columbia University in New York, described minority health problems related to poor diet as "21st-century genocide."

Hurt says the government can help by increasing urban access to quality food and requiring calorie counts to be displayed on restaurant menus.

Nonprofit organizations such as Growing Power Inc., which runs urban farms in Chicago and Milwaukee, provide fresh vegetables to minority neighborhoods.

Brian Ellis, 21, said all he ate was fast food when he started working at one of Growing Power's urban farms in Chicago when he was 14.

"Then I started eating food I'd never seen before like Swiss chard," said Ellis, who appears in the film. "I never knew what beets were. I'd never seen sprouts before. I'm not that big of a beet fan, but I love sprouts. I could eat sprouts all day."

(Editing by Patricia Reaney and Mohammad Zargham)

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Character actor, World War Two hero Charles Durning dies at 89

Actor Charles Durning is interviewed at a ceremony where he receives a star on the Hollywood Walk of Fame in Hollywood July 31, 2008.

Credit: Reuters/Phil McCarten

NEW YORK | Tue Dec 25, 2012 9:22am EST

NEW YORK (Reuters) - Charles Durning, a World War Two hero who became one of Hollywood's top character actors in films like "The Sting," "Tootsie" and "The Best Little Whorehouse in Texas," has died, a New York City funeral home said on Tuesday. He was 89.

Durning, who was nominated for nine Emmys for his television work as well as two Academy Awards, died of natural causes at his New York City home on Monday, his agent told People magazine. Frank E. Campbell Funeral Chapel in Manhattan confirmed Durning's death to Reuters.

Durning also was an accomplished stage actor and once said he preferred doing plays because of the immediacy they offered. He gained his first substantial acting experience through the New York Shakespeare Festival starting in the early 1960s and won a Tony Award for playing Big Daddy in a 1990 Broadway revival of "Cat on a Hot Tin Roof."

Durning did not start amassing film and TV credits until he was almost 40 but went on to appear in more than 100 movies, in addition to scores of TV shows.

Durning's first national exposure came playing a crooked policeman who gets conned by Robert Redford in the 1973 movie "The Sting." He got the role after impressing director George Roy Hill with his work in the Pulitzer- and Tony-winning Broadway play "That Championship Season."

Durning had everyday looks - portly, thinning hair and a bulbous nose - and was a casting director's delight, equally adept at comedy and drama.

Durning was nominated for supporting-actor Oscars for playing a Nazi in the 1984 Mel Brooks comedy "To Be or Not to Be" and the governor in the musical "The Best Little Whorehouse in Texas" in 1983. "Whorehouse" was one of 13 movies Durning made with friend Burt Reynolds, as well as Reynolds' 1990s TV sitcom "Evening Shade."

Other notable Durning movie roles included a cop in "Dog Day Afternoon," a man who falls in love with Dustin Hoffman's cross-dressing character in "Tootsie," "Dick Tracy," "Home for the Holidays," "The Muppet Movie," "North Dallas Forty" and "O Brother Where Art Thou?"

He was nominated for Emmys for the TV series "Rescue Me," "NCIS," "Homicide: Life on the Street," "Captains and the Kings" and "Evening Shade," as well as the specials "Death of a Salesman," "Attica" and "Queen of the Stardust Ballroom."

Durning was a fan of Jimmy Cagney and after returning from harrowing service in World War Two he tried singing, dancing, and stand-up comedy. He attended the American Academy of Dramatic Arts until he was kicked out.

"They basically said you have no talent and you couldn't even buy a dime's worth of it if it was for sale," Durning told The New York Times.

D-DAY INVASION

He worked a number of make-do jobs - cab driver, dance instructor, doorman, dishwasher, telegram deliveryman, bridge painter, tourist guide - all while waiting for a shot at an acting career. Occasional stage roles led him to Joseph Papp, the founder of the New York Shakespeare Festival, who became his mentor.

"Joe said to me once, 'If you hadn't been an actor, you would have been a murderer,'" Durning told the Times. "I don't know what that meant. I hope he was kidding. He said I couldn't do anything else but act."

Durning grew up in Highland Falls, New York, and was 12 years old when his Irish-born father died of the effects of mustard gas exposure in World War One. He had nine siblings and five of his sisters died of smallpox or scarlet fever - three within a two-week period.

Durning was part of the U.S. force that landed at Omaha Beach during the D-Day invasion in June 1944. A few days later he was shot in the hip - he said he carried the bullet in his body thereafter - and after six months of recovery was sent to the Battle of the Bulge.

Durning, who was wounded twice more, was captured and was one of the few survivors of the Malmedy massacre when German troops opened fire on dozens of American prisoners. In addition to three Purple Heart medals for his wounds, Durning was presented the Silver Star for valor.

At an observation of the 60th anniversary of D-Day in Washington, Durning told of the terror he felt and carnage he saw when hitting the beach on D-Day. He said he had to jettison his weapon and gear in order to swim ashore and saw mortally wounded comrades offering themselves as human shields.

"I forget a lot of stuff now but I still wake up once in a while and it's still there," he said. "I can't count how many of my buddies are in the cemetery at Normandy."

Durning was married twice and had three children.

(Reporting by Ellen Wulfhorst; Writing by Bill Trott; Editing by Eric Beech)

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Jessica Simpson's Christmas tweet seems to confirm pregnancy rumor

Actress and honoree Jessica Simpson is interviewed at the US Weekly Hot Hollywood Style issue party in Hollywood, California April 26, 2011.

Credit: Reuters/Mario Anzuoni

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Billy Crystal channels real-life role in "Parental Guidance"

Actor Billy Crystal speaks to the media backstage during the ''12-12-12'' benefit concert for victims of Superstorm Sandy at Madison Square Garden in New York, December 12, 2012.

Credit: Reuters/Carlo Allegri

By Zorianna Kit

LOS ANGELES | Thu Dec 27, 2012 6:03am EST

LOS ANGELES (Reuters) - After a decade away from the big screen, funnyman Billy Crystal has mined his real-life experiences as a grandfather and is back in the holiday season movie "Parental Guidance."

The film, which opened in U.S. theaters on Christmas, stars Crystal as a recently fired baseball announcer, who agrees to watch his three grandchildren with his wife (Bette Midler), while his daughter and her husband go on a business trip.

Crystal, 64, sat down with Reuters to talk about the film, being a grandparent and why he won't host the Oscars ceremony anymore.

Q: You have not been on the big screen in a starring role since 2002's "Analyze That." Did you miss making movies?

A: "I spent over four years doing my one-man Broadway show, '700 Sundays' and didn't care about doing movies. I just so love being in front of live audiences. The play is more satisfying than anything. I'm not interrupted by planes flying overhead, waiting for them to light and all those gruesome slow things on a movie. But really, the last five years were spent getting this movie made."

Q: How did "Parental Guidance" become your return to film?

A: "When I wrote the first story for this movie, my wife Janice and I babysat for our daughter Jenny while she went away with her husband. We had six days with their girls, all alone. It was an eye-opener. When you're not used to that energy, it's tough. On the 7th day I rested and came in to the office and said, 'Here's the idea for the movie.'"

Q: What was eye-opening about those six days?

A: "The eye-opener was the bible that we were given before they left town about what to say (to the kids), what to do, all the rules, don't do this, don't do that, this child has to be taken here. They have my respect of how they programmed their days and weeks. It's insane what they have to do nowadays for schooling and parenting. It's wild."

Q: Quite a difference between your childhood and the grandkids' childhood, right?

A: "When I was a kid growing up, it was basically 'Go outside and play and I'll see you at dinner.' There was no thought that there were bad people out there. There was such a carefree wonderful trust which forced you to use your imagination, which also bonded you with the best of you, and your friends. We didn't have that 'inside' thing like videogames. My only 'inside' thing was watching the Yankees. Otherwise everything was outside."

Q: Speaking of the Yankees, your well-documented lifelong love of baseball is incorporated in to the film with your character being a ball-game announcer. That must have been fun to do.

A: "I love the game and I thought it was a really interesting occupation we hadn't seen before. And a good one for me to play because I love it. I wanted my character to have something he loved doing where I didn't have to fake it."

Q: In being absent from the silver screen for a while, did you find that the movie-making business has changed much?

A: "The studios are so concerned with quadrants (capturing four major demographic groups of moviegoers - men, woman and those over and under 25). I'd never heard of these things when I was in my early years of making movies. You just did them. There was no interference. Now it's a whole different ball game. They're so worried: 'Who's going to come?' Well, there's 77 million American who are babyboomers. That's a huge audience who wants to laugh and have a story told to them that doesn't have bombs and spies and killing."

Q: Does "Parental Guidance" reflect where are you now at this stage of your life?

A: "I was fortunate to be in a great romantic comedy about falling in love (1989's 'When Harry Met Sally'). I wrote the original story for my turning 40, 'City Slickers' (in 1991), which became a huge hit and a very liked movie. And now 'Parental Guidance' happened at this point in my life. I relate to it as a parent and a grandparent."

Q: You will be a grandfather for the fourth time in March. What do you like best about that role?

A: "It's so hard to understand how you can love someone so much that's not yours, but extensions of you. I'm always so moved seeing my girls pregnant, and seeing them move on in their lives. I'm going to turn 65 on March 14. My wife's birthday is the 16th. The baby's due the 18th. So we've got maybe a straight flush happening here. That would be the greatest present of all - a healthy new baby."

Q: Last year you hosted the Oscar ceremony for the ninth time, making you the second most-used host after the late Bob Hope. Are you gunning for his title?

A: "I'm not even close. I've done 9, he's done 19 and neither one of us are doing it again. It's hard to say, 'Can't wait to do it again,' but I can wait."

(Reporting By Zorianna Kit, Editing by Piya Sinha-Roy and Cynthia Osterman)

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